When you’re setting a play in a country you’ve never visited, it’s certainly a good idea to run the piece by people with more intimate knowledge of the place. This was the task dramatist Charles Randolph-Wright dutifully performed in getting his new work, “Love in Afghanistan,” up on its feet.
“We just got Janet’s notes,” he was informed one day at Arena Stage, where the drama, about an American rapper who falls in love with an Afghan interpreter, begins its world-premiere run Friday. The Janet in question was Janet Napolitano, who, you might be aware, recently left her post as secretary of Homeland Security and who, it is reliably reported, is both an avid theatergoer and an acquaintance of Arena’s artistic director, Molly Smith.
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